Photoshop Tutorials
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HDR Photos and Photoshop | HDR Photos and Photoshop |
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| Written by Denny Tang | |||
| Monday, 07 April 2008 | |||
![]() HDR Photos and Photoshop Explore high dynamic range imaging in Photoshop. This Photoshop guide will show you how to photograph for HDR, view 32-bits/channel HDR images, and compress them into 8- or 16-bpc images. More about HDR and Photoshop after the click. High dynamic rangeIn the real world, the dynamic range far exceeds what our eyes are capable of seeing and what our monitors and printers are capable of displaying. With high dynamic range (HDR) images, you can create images that can store a larger dynamic range. In the example below, a single exposure photograph doesn't capture enough dynamic range to display all the details; no exposure setting could display the correct dynamic range. Photoshop was used to merge three exposures to capture more dynamic range.
Unlike 8 bits/channel or 16 bits/channel images, HDR images in Photoshop contain 32 bits of data per channel; more than what can be displayed on your monitor. In the latest version of Photoshop, you can create layered documents and several tools, filters, and commands for 32 bits/channel. Many of those tools, filters, and commands you normally see when working on 8-bits/channel images will be unavailable. Most likely, your camera cannot capture 32 bits/channel images. However, with Photoshop, you can use the Merge to HDR command to combine photos with different dynamic range into a single HDR photo. For example, you can shoot a landscape three times with three different exposure to capture a wider dynamic range and merge them into Photoshop to create a single HDR photo. Photograph for HDRIf you want to shoot photos and use the Merge to HDR command in Photoshop to create a HDR photo, remember the following tips:
Merge to HDR commandThe Merge to HDR command in Photoshop lets you combine several of the same scene with different exposures into a single HDR 32-bpc (bits-per-channel) image. First, you'll need to have three images taken at different exposures. Run Photoshop and choose File > Automate > Merge to HDR.
In the Merge to HDR window, click the Browse button and browse for the the three images with the same exposure. If the Attempt to Automatically Align Source Images option is enabled, Photoshop will try to align the image in case the images are not perfectly aligned. Usually, you would leave this option enabled and only disable it if misaligns or causes artifacts. Click OK when you are ready. After you click OK, Photoshop will process the images and after, you should see a window that looks like the image below.
In the second Merge to HDR window, you need to choose the bit depth to use: 32 bpc, 16 bpc, or 8 bpc. If you want to capture the entire dynamic range, choose 32 Bits/Channel. The other options almost always do not have enough room to store the entire dynamic range but you will have access to more tools, filters, and commands. You can uncheck the checkbox below the thumbnails on the Sources filmstrip to choose which image you want to include in the final merged image. The Merged Results shows a preview of the final output with the current settings. Adjust the slider in the Set White Point Preview histogram to get the exposure that you desire. Click OK and Photoshop will create a HDR image based on your settings.
Viewing HDR imagesWhen you look at a HDR image in Photoshop, the colors can look dark or washed out. This is because 32 bits/channel images have a dynamic range that monitors are not capable of displaying. If your monitor was capable of displaying such range, the image would look a lot more dynamic. Currently, there are no consumer-grade monitors that can display the dynamic range of 32 bits/channel image. In Photoshop, you can adjust the preview to see the details in the highlights or shadows that are washed out on your monitor. The preview does not affect the image information; it is only used for previewing. To adjust the preview, choose View > 32-Bit Preview Options.
Choose one of the two methods:
You can also adjust the exposure quickly using the slider on the status bar of the bottom of the document window.
Remember, while your image may look different after adjusting the 32-bit preview options, the image information has not changed. It only looks different to aid you in editing because your monitor cannot display the dynamic range of 32-bits/channel images. Converting an image to an 8 or 16 bpc workspaceFor photography purposes, most of the time you will want to tone map your 32-bpc image into a 8- or 16-bpc image. This lets you create a 8- or 16-bpc image with details that would normally be hidden. For example, an overexposed sky can be restored by tone mapping. First, make sure that you have a 32-bpc image opened then choose Image > Mode > 16 Bits/Channel or 8 Bits/Channel.
In the HDR Conversion window, you can choose one of four different methods to convert the image into a lower bit depth:
Click OK and your image will be converted to the bit depth that you chose earlier. Other HDR tone mapping methodsAnother method of converting a 32-bpc image into an 8- or 16-bpc image is to use third party software such as Photomatix or using a layered HDR tone mapping Photoshop technique.
written by samp, July 16, 2008 Great tutorial, thanks - but what is the photo you used? written by Larry, June 29, 2008 I have CS and can't find that option. Is this possible with CS, or just CS2 and CS3? written by Mike, May 29, 2008 Very nice write up..... written by Kim Johnson, April 08, 2008 Great tutorial, I can't wait to get out there and merge! Thanks you for the tips. written by parth, April 07, 2008 it's really great men. i try that with diff image, but my result was little diff then your's. so it's really good thanks keep it up have nice day |
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| Last Updated ( Monday, 07 April 2008 ) | |||
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